Creative Nonfiction
An Exploration of Contemporary American Literature
"We tell ourselves stories in
order to live." -- Joan Didion
Writers write, but what do they write these days? Books? Stories? Poems? or Blogs? Fiction? Nonfiction? Both? Contemporary writers sometimes blur the line between fiction
and reality and
combine traditional forms for a fresh way of reflecting on life.
Writers of creative nonfiction use standard
elements of fiction to write about real life events. The subgenres in creative
nonfiction include personal essay, memoir, travel/place essays, literary
journalism (expanding on topics in news), and more.
Since ninth grade, you have probably read more
creative nonfiction than you realize. Remember reading In Cold Blood by
Truman Capote in 10th grade? In Unit Six, you read excerpts from Hersey's A Noiseless Flash,
Michael Herr's Dispatches, and O'Brien's The Things They Carried.
Each reads as if it is fiction, with vivid setting, character details, imagery
and figurative language. The authors arrange details to keep their readers'
attention, like a gripping plot would do. But the source of all of these works
is real life.
In addition to those works listed above, we will
read others as models of essays that you can
write. Your fourth quarter essay will be creative nonfiction. Because you
are not expected to conduct extensive research for your essay, your choices for
type of essay are limited to memoir (which may include interviewing
family or friends), personal essay (which may require a bit of fact
checking), and travel/place essay (which also might require a bit of
minor research). See more on each type below.
Assignments
- Web quest
with a partner. Use the starred sites
Please open, save in your H:/ drive, complete the assignment, then
save in G:/ rive folder as indicated.
- Complete an analysis
form for any two essays of your choosing. See
the list below.
-
Write a creative nonfiction
essay and publish it in a class anthology. Your essay should be no shorter than
500 words. It should employ typical elements of fiction: setting, character,
imagery, figurative language, theme, etc. to tell a true story or relate a
true event.
Read
more about creative nonfiction:
Writing your own essay
Memoir
What is memoir?
Models (*we will read):
- *Russell Baker's "Make Something of
Yourself," an excerpt from Growing Up
- Frank McCourt, Angela's Ashes
- Tobias Wolff, This Boy's Life
Personal essay
What is a personal essay?
-
From The Guide to Grammar
and Writing
-
A superb guide from
Dr.
Richard Nordquist at Armstrong Atlantic State University
Models (*we will read):
- *"You Are Now Entering the Human
Heart"
by Janet Frame
Travel/Place essay
What is a travel/place essay?
Models (*we will read):
- *"Wild Plums," from Ted Kooser's
Local Wonders: Seasons in the Bohemian Alps
- from Blue HIghways, by William
Least Heat Moon (in your red lit book)
- Annie Dillard, Pilgrim at Tinker's
Creek and An American Childhood
How to & Requirements
Topic
Choose a topic that you know something about, a lot about, in fact.
The topic should be relevant to everyone, and not simply to you. Topics are wide
ranging, but remember, your audience is your class. Choose a topic that is
appropriate for school and your audience.
Theme
Think about your topic. Why are you really writing about it? What do you want
your readers to know about life, about people, about relationships, about love,
death, joy, sorrow, humor, or anything else? These themes are only a few. Your
revelation about life can be small and simple or big and profound. Either way,
what you reveal should be universally true. That is, what you reveal about life
is probably true for all people.
Introduction/Lead
Begin your essay in a way that gets your readers
wanting more. Write a
good lead.
Leads that feature description, an event/conflict, imagery, or even an
engaging dialog are
interesting.
Body
No matter what type of essay you write, you will be telling some kind of story.
While you are not writing a five paragraph essay, you should be writing in
paragraphs. Some may be long; some may be short. Avoid digression. You may
have characters in action (something is happening). Always keep your purpose in
mind.
Conclusion/Ending
You won't be writing a standard summary conclusion. The purpose of your
conclusion or ending is to make your essay feel finished. But even more than
that, it should create a lasting impression on the reader. Look at the models of
the essays we read in class. How did those authors conclude their stories?
Voice
- Voice is an important aspect of
creative nonfiction. The
ethos of the writer is important.
- You may use a mixture of first and
third person, or either. The combination is a common narrative
technique. Look for it in the works we read.
- What style and tone are you using?
Personal essays have an informal style. It could be so informal as to
use slang here and there, especially in dialog. Will the narrative voice
be casual and easy-going, humorous, or more serious.
Organization
- Organize the details in a logical order
to keep your readers' attention and to best tell the story.
- Use paragraphs!
- Use transitions, but not formal
transitions that sound stuffy, like "therefore," "whereas," or "on the
other hand."
Other literary elements
- Dialog should be natural and should
advance the story. Don't use it if you don't need it.
- Use inventive metaphors to get readers
to see ideas in a new way.
- Use concrete details and descriptions
of people, places and things
Your essay should be no shorter than 500 words,
typed, use 12 point Times New Roman, and double space. Use block style
for paragraphing. (Standardized for the anthology) Your essay needs
a title. Your name and the date should go at the end. See the format
sample.
List
of essays in Unit Six for the analysis form:
- A Noiseless Flash, Hersey
- Speaking of Courage, O'Brien
- from Dispatches, Herr
- Make Something of Yourself, an
excerpt from Growing Up by Russell Baker
- You Are Now Entering the Human Heart
by Janet Frame
- Wild Plums, from Ted Kooser's
Local Wonders: Seasons in the Bohemian Alps
Print
analysis form.
Want to read more creative nonfiction?
|