Rebby Lee
Jun 6th, 2008 by Dawn Hogue
Rebby Lee is a creative nonfiction piece. We lived in Mason City, Iowa at the time.
My record collection was meager and consisted mostly of 45′s. I had one Monkees album that I played over and over again, so when I was in Rebby Lee’s bedroom for the first time and saw all of her records, at least twenty, I was impressed.
Rebby Lee’s house was in my neighborhood, down at the end of the block. We lived in a rented house next to a lady with four cats. I shared a bedroom with my sister, but Rebby Lee had her own room. Her own room and a record collection. She also had her own record player. And a guitar.
What should we listen to?” she asked, and she seemed comfortable in the role of hostess, though I knew later that she could not have been.
“I don’t know.” I picked up a record by a guy named Hank Williams.
“Who is Hank Williams?” I asked.
Rebby Lee was a tall girl, probably about 5’7″ and somewhat plump, a word that even grandmothers in 1967 thought harmless. But she was. She was a big girl for seventh grade. She had long blond hair that she always wore in thick braids. Her calf length skirts were calico and her blouses were white percale or blue chambray. She always dressed this way, in soft blue hues, which contrasted with her ruddy, pimply complexion. And thicker than her braids were the lenses of her glasses, glasses that were a bit too large for her, big as she was. Even my glasses were too manly, as if no one thought young girls deserved to feel pretty. And my glasses were thick, too. I understood her need to squint to see the tiny print as she looked over the album I had selected.
“Hank Williams?” she said incredulously. “You don’t know who Hank Williams is?”
I will admit that I sometimes felt superior to Rebby Lee. She was a classmate, but I think I was her only friend, and mostly we were just neighbors. She was large, nearly blind, pimply, and, as I was soon to discover, a country music fan. No one listened to country music. No one who was cool anyway. And now I felt somewhat stupid, as I had never heard of Hank Williams.
She rocked back and forth on her crossed legs, something I could not really do even though I was much thinner than she. She shook her braids slightly from side to side and smiled a smile that said both that she was glad to be able to inform me and glad to know something I did not.
“He’s only the greatest country singer ever.”
“Oh,” I said, not knowing why I should be impressed. I liked Rock and Roll, not Country Western, as we called it then.
“Oh? Well, he’s so great. You wanna listen? You gotta listen.” She put the record on and we listened.
If I had not been 12 years old, if I had been older and understood that Hank Williams was indeed an influential artist whose Blues style crossed over into Rock and Roll, I would have been really impressed that another 12 year old had not one, but several Hank Williams’ albums. But I was not any of those things. He sounded old fashioned and odd to me.
“I can play this one,” she said after the song ended. “I could teach you.”
Now Rebby Lee was not my first choice for a friend, but I knew she knew how to play the guitar and I wanted to learn and I thought–even at 12 years old we can be devious like this–that maybe if I were friends with her, maybe she would teach me. It was how I got invited to her house in the first place. At school we had to give a little speech about our hobbies and she told our class that she played guitar. I got it in my head that maybe I would start walking with her sometimes to or home from school and then as we walked maybe I would ask her.
In our house next to the lady with the four cats where I shared a room with my sister, we had no money for guitars or for more than one record and my mom was having a new baby in a few months and my step dad was in a new job and there was no money for a guitar, but all the cool boys liked guitars. Rock and Roll was about guitars.
“It’s easy,” she assured me. She handed me her guitar, and showed me how to hold it, which felt overwhelming. My moment of emergence was at hand. It was easier for her to sit behind me and guide my hands and fingers. Her warmth radiated into me, her body closer to me than anyone not in my family had ever been, and yet, it felt right, like she wanted only for me to know what gave her joy. She was my teacher.
At night when I lie awake on my side of the room I shared with my sister, I would even hum in my head some of Rebby’s songs instead of the Beatles, instead of the Byrds. But I never told my sister about my new friend. I never talked about Rebby Lee at all.
There were many such afternoons together and Saturday mornings. We’d listen to Hank or Patsy Cline or Loretta Lynn. I learned to play a few chords, but I was a poor student after all. My strumming produced nothing that could ever be considered a song, and we both knew it was useless to go on. Plus, I decided it was more pleasurable to listen to Rebby Lee plunk out her own heartfelt 12 year old versions of her idols’ songs. We would sing “Your Cheatin Heart” really loud and then laugh. She had a true and honest soul. I did not.
That year I learned that I was never going to be a guitar player, and I learned that I could be cruel.
After Algebra class the large, ruddy faced girl with thick blond braids approached me excitedly to tell me that her grandpa had bought her a new Hank Williams album.
“Its a greatest hits,” she almost squealed as she squeezed her books to her chest.
I was with some other girls. They did not wear long skirts or their hair in braids. They did not listen to Hank Williams records. They thought Rebby Lee was odd. Everyone thought Rebby Lee was odd.
“Who’s Hank Williams,” I scoffed, as if I had never known Rebby Lee, as if we were not friends, real friends, not just neighbors, as if she had not trusted me with her heart.
I gave the other girls a knowing look and with them walked down the hall to French class.
June 4, 2008